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丁仕美書法詩歌散文作品欣賞

中國書法是古老的東方藝術。有人說書法是中國文化核心之核心。也有人說書法濃縮了中國文化。所以學習書法是了解中國文化的最好途徑。本欄目裡有中國書法家丁仕美先生的最新書法作品欣賞, 書法論文, 詩歌散文作品欣賞
 

Calligraphy Set & Seal

Brush | Ink Stick | Paper | Ink Slab Or Ink Stone | Seal

What Chinese calligraphy supply do you need? To write Chinese characters, you need a brush, ink, paper and ink stone, commonly referred to as the four treasures of the study. In order to learn calligraphy, it is necessary to learn about these tools, select them carefully and take care of them. As the saying goes, one must temper the means to achieve the end. This is by virtue of necessity.

Among the various tools of calligraphy, writing brush is peculiar to China. The brushes are varied, and white goat's hair, black rabbit's hair and yellow weasel's hair are three major types. On the basis of the function of tip, the brushes are classified into three groups: "Hard", "Soft" and "Both". The handle is made of not only bamboo, wood, lacquer and porcelain, but also some precious materials including mother-of-pearl inlay, ivory and jade. 

Writing brush has such a long history that prehistoric painted pottery, inscriptions on oracle bones, bamboo slips and silks are all writing materials for brush. Some ancient writing brushes were also excavated in the graves of the Spring and Autumn Period, the Warring States, the Qin and Han Dynasties. In the Tang and Song Dynasties, Xuanzhou became the national writing-brush-producing center, whose products were called "Xuan-bi", and "Zhuge-bi" was the best in quality in Xuanzhou. After the Yuan Dynasty the brush-producing industry of Huzhou boomed, and "Hu-bi" replaced "Xuan-bi". The characteristics of "Hu-bi" were sharp, neat, round and tough.Read more information about brush.

The ink-stick is the unique pigment of Chinese traditional painting and calligraphy. At the initial stage natural ink or half-natural ink was generally used. It was during the Han that artificial ink appeared. At that time the most famous ink-stick was "Yumi-mo" produced at Qianyang, Shaanxi. The raw materials of ink-stick were pine, oil and lacquer. 

Before the Five Dynasties the ink-producing center was in the North, then it reached the South. The most celebrated South ink-stick was "Hui-mo", which was produced in Huizhou of Anhui. Read more information about ink-stick.

Paper is one of the most famous Chinese inventions. It is widely accepted that paper was invented by Cai Lun in the Eastern Han. However the archaeologists have discovered paper of Western Han such as "Fang-ma-tan" paper, "Ba-quao" paper, "Xuan-quan" paper, "Ma-quan-wan" paper, "Ju-yan" paper and "Han-tan-po" paper. 
After the Eastern Jin Dynasty, paper was extensively used instead of traditional writing materials such as bamboo slips and silks. Various methods of producing paper emerged one after another. Read more information about paper.

In the Tang and Song Dynasties, the paper producing industry was very thriving. Celebrated products in best quality appeared one after another. In the Qing "Xuan-zhi" produced in Jing Prefecture of Anhui (Xuanzhou), became the special paper for painting and calligraphy, and was regarded as "the king of the paper"

Inkstone is the most important of "four treasures of the study". Because of its solid texture inkstone can be handed down from ancient times.

In the ruins of primitive society the archaeologists discovered simple stone ink-slab that needed a pestle to grind pigments. After artificial ink-sticks appeared in Han, pestle gradually disappeared. There were pottery ink-slab, lacquer ink-slab and copper ink-slab in the Han Dynasty as well as stone ink-slab. Among the stone ink-slabs, the round tripod pieces were the most typical. During the Wei, Jin and Northern-and-Southern Dynasties, round tripod porcelain ink-slabs were in vogue. It was in the Sui and Tang that "Piyong" inkstone having circular legs appeared. Read more information about inkstone.

Ancient tools of calligraphy included not only brush, ink-stick, paper and inkstone, but also some accessories such as penholder, brush pot, ink box, paperweight, seal, seal box. The raw materials of these tools were pottery, porcelain, copper, iron, lacquer, wood, bamboo, stone, jade, jadeite, agate and coraI.

Please click here to learn more:http://www.skyren-art.com/zh/forum/8-english-forum/20-chinese-calligraphy-four-treasures-of-the-study-1-brush.html

最近更新在 週六, 02 七月 2011 14:36

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How to Hold Brush in Chinese Calligraphy?

Body posture - How to Hold Brush in Chinese Calligraphy?

To practice to write Chinese calligraphy, the way to hold the calligraphy brush is very important for the handwriting . This has much to do with the body's posture. You must hold the brush [ … ]

最近更新在 週二, 05 四月 2011 22:56

Essentials of Handwriting Technique in Chinese Calligraphy

丁仕美书法 楷书竖轴《老子道德经》第六十六章

Handwriting technique of Chinese Calligraphy in a broad sense includes the way to hold and use the brush to write characters. There are countless ways to wield the brush. I shall dw [ … ]

最近更新在 週五, 01 二月 2013 18:23

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Eight Kinds of Brush Stroke in Chinese Calligraphy

Blessing in Chinese Calligraphy,Chinese symbol for blessing, Big Seal Script Calligrapher: Ding Shimei

To learn Chinese Calligraphy, it is vital that you learn to write the eight strokes before you learn to write Chinese characters. The strokes are the basic skill in writing. I shall attempt to exp [ … ]

最近更新在 週三, 06 七月 2011 06:02

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Seven Sequential Steps In Writing Strokes of Calligraphy

In Chinese calligraphy Handwriting, There is a proper sequence in the writing of strokes, with seven steps in the sequence.

The sequence in writing strokes was developed after long experience in calligraphy. The proper sequence facilitates writing. There are, however, exceptions to the rule. In the character you may write the dot first or last. Both are right. Another example is the character . You write the dash, or horizontal stroke, first, but how should you write the strokes below the dash: and.

According to the rule, from left to right, proper sequence should be: .However, if you write like this: , it allows the blank sqace to be more evenly divided and looks more beautiful. In writing such characters you may be flexible. You don't have to follow the sequence of left stroke first, right stroke second.

Take another example: the character . In running script in perpendicular lines you write the left-falling stroke first, followed by the dash, or horizontal stroke. You then write . The order is as follows: .

When writing in horizontal lines, you write the dash, or horizontal stroke, first and add the left-falling stroke afterwards. The order is . Be practical. Facility comes first. You should follow the rules of sequence, but in doing so be flexible.

  • 1.Three parts from upper to lower
  • 2.Three parts from left to right 
  • 3.Three parts, first in the middle, then from left to right
  • 4.Horizontal stroke(s) first, perpendicular stroke later
  • 5.left-falling stroke first, right-falling stroke later
  • 6.Outside strokes first, inside strokes later
  • 7.Most of outside strokes first, then inside stroke(s), finally bottom stroke

最近更新在 週五, 15 七月 2011 05:52