Weng Tonghe (翁同龢, 1830—1904, Styled Shuping 叔平) was a Chinese Confucian scholar and imperial tutor during the Qing dynasty. (Born Changshu, Jiangsu Province, 19 May 1830; d 3 July 1904). Chin [ … ]
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Calligrapher Ding Shimei Artwork Appreciation
Chinese Calligraphy,Gallery of calligrapher Mr.Ding Shimei's handwriting artwork, Regular Scritpt, Running Script, Cursive letters, Seal script etc...
Qing Dynasty, Weng Tonghe (1830-1904) Calligraphy Gallery
- 08 February 2011
- 翁同龢
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- Section: Chinese Calligraphy -
- Calligraphy Gallery
Last Updated on Friday, 06 May 2011 22:32
Hymn of Youyu County Spirit - Cursive Script Vertical Scroll
- 29 January 2011
- 丁仕美
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- Section: Chinese Calligraphy -
- Calligraphy Gallery
Hymn of Youyu County Spirit - Cursive Script,
Calligrapher: Ding Shimei
Size: 199cm×48cm
Creation Year: 2010AD
Youyu County is a district of Shanxi, China. It is under the administration of Sh [ … ]
Last Updated on Friday, 14 June 2013 22:06
王羲之代表作《十七帖》（347-361年），草书
- 24 January 2011
- administrator
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- Section: Chinese Calligraphy -
- Calligraphy Gallery
《十七帖》者，以卷首有“十七日”字，故号之。是书圣王羲之草书(今草)代表作。原墨迹早佚，现传世《十七帖》是刻本。唐张彦远《法书要录》记载了《十七帖》原墨迹的情况：“《十七帖》长一丈二尺，即贞观中内本也，一百七行，九百四十三字。是煊赫著名帖也。太宗皇帝购求二王书，大王书有三千纸，率以一丈二尺为卷，取其书迹与言语以类相从缀成卷。以“贞观”两字为二小印印之。褚河南监装背，率多紫檀轴首、白檀身、紫罗织成带。开元皇帝(即玄宗) 又以“开元”二字为二小印印之。跋尾又列当时大臣等。《二王书， 后人亦有取帖内一句语稍异者为帖名，大约多取卷首三两字及帖首三两字也。”
“张彦远，字爱宾，猗氏人。唐僖宗乾符年间任大理寺卿，精书画，以其记载之确，故知王羲之《十七帖》在初唐时就很著名，且流传有绪。但是，《十七帖》是否有唐摹临本，史无记载。北宋时，黄伯思《东观余论》称：‘《十七帖》多临本，永禅师、虞世南、褚庭诲临字皆不甚远，故有数本皆不同。’黄伯思是北宋末人，故知《十七帖》临本在北宋时期是存在的。至于《十七帖》最初刻于何时，已难确定。黄伯思《东观余论》云，《十七帖》曾收入《淳化阁帖》。其续帖亦有刻。‘今世所传者，虽非右军真迹，然皆出于右军。要皆不及唐人摹刻，卷首有“敕”字及解(无畏)、褚(遂良)勒定者为佳也’。”
Last Updated on Tuesday, 29 March 2011 16:23
王羲之《乐毅论》，永和四年（348），小楷
- 20 January 2011
- 天人书法网
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- Section: Chinese Calligraphy -
- Calligraphy Gallery
王羲之小楷《乐毅论》，梁模本有题款“永和四年（348）十二月廿四日书付官奴”。据说原石曾与唐太宗同葬昭陵，或说《乐毅论》之书在武则天当政时散人太平公主家，后被人窃去，因惧来人追捕，遂于灶内焚之。王羲之《笔势论》中对王献之说：“今书《乐毅论》一本及《笔势论》一篇，贻尔臧之，勿播于外，缄之秘之，不可示诸友。”他用自己精心创作的《乐毅论》作为范本，又以《笔势论》作为理论，从虚与实两方面启发王献之 [ … ]
Last Updated on Tuesday, 29 March 2011 15:52
