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Theories of Chinese Calligraphy
漢末蔡邕說：「書有二說，一曰疾，一曰澀，得疾澀二法，書妙矣」
Chinese calligraphy has a special theory and a con...
Top Seven Reasons for Why Chinese is Difficult to Learn
In some foreigners eyes', the learning of Chinese has become the most difficultt...
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Ouyang Xun, one of the Four Great Calligraphers of Early Tang Dynasty
Ouyang Xun (Chinese: 歐陽詢; Wade–Giles: Ouyang Hsun) (557–641), courtesy name Xinb...
Chinese Calligraphy
唐朝怀素《自叙帖》（777年），草书
怀素擅长狂草书，流传的作品首推《自叙帖》。运笔速度极快，风驰电掣，往往是一笔贯穿一行，有骤雨旋风之势。枯笔渴墨处，依然气脉贯通，令观者感受摇撼心旌的狂势。
&nb...
"丑"之为美：兼谈书法的审美标准（书法美学）
清代书法家傅山追求拙丑，主张“宁拙毋巧，宁丑毋媚，宁支离毋轻滑，宁真率毋安排”，在书法史上具有划时代意义。
释文：
茅檐瓦雀乱飞回，五日连阴黯不开。陈谷野田无啄处，...
Chinese Calligraphy Set & Seal
Brush | Ink Stick | Paper | Ink Slab Or Ink Stone | Seal
What Chinese calli...
又答东方艺人问
钤印颇有讲究，这是随着书法的艺术化演进的而演进的。先生提到的同一幅作品上加盖一朱一白两枚印章孰先孰后的问题，我的习惯是先白后朱。其意义在于阴前而阳后，以阳刚之气...
Qinyuanchun, Mount Heng By Ding Shimei
Mount Heng , Heng Shan or Heng Mountain (simplified Chinese: 恒山; traditional Chin...
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